Free outdoor exhibition in Birmingham to celebrate Bangladeshi independence

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A new outdoor exhibition showcasing photographs taken over the last five decades has opened in Birmingham’s Centenary Square.

Organised by Legacy West Midlands in collaboration with Birmingham Museums Trust, Freedom 50 celebrates 50 years of Bangladeshi independence and will be on display until the end of August.

The exhibition presents 40 evocative images of protest, self-determination and emigration.  It includes images taken during the 1971 war in Bangladesh and the protest that followed within the UK.

Iconic images from the legendary Bangladeshi photographer Naib Uddin Ahmed are featured as well as striking images taken by other professional and emerging photographers.

Belief by Osman Rakib.

Belief by Osman Rakib.

Visitors to the free exhibition will be able to learn about Bangladesh’s recent history and the settlement of Bangladeshi people in the UK via accompanying display panels.

In January 2021, Legacy West Midlands held an international open call-out for photographs for this exhibition.  A host of great photographs were submitted from professional and amateur photographers in the UK and Bangladesh with the final photos selected by a steering committee that included representatives from arts organisations in Birmingham.

Born Free by Osman Rakib.

Born Free by Osman Rakib.

Aftab Rahman, director of Legacy West Midlands said: “The response to our international call-out for photographs that could tell the story of 50 years of Bangladeshi independence was incredible with so many evocative and vibrant images submitted from both the UK and Bangladesh.

“The Freedom 50 exhibition has been an emotional journey for me, because of my Bangladeshi heritage.  Creating the exhibition has allowed me to learn and reflect on the birth of Bangladesh.

Golden Dream by Osman Rakib.

Golden Dream by Osman Rakib.

“Using photography from the past and present has allowed us to appreciate the journey Bangladesh has had through the decades and the footprint of British Bangladeshi’s in the UK exemplifies a migrant journey that has not always been smooth.

“We are delighted that, in collaboration with Birmingham Museums Trust, we are now able to share these remarkable images and the story of a young nation via a free outdoor exhibition.”

Winter morning by Aftab Rahman.

Winter morning by Aftab Rahman.

Rebecca Bridgman, curatorial and collections manager at Birmingham Museums Trust, said: “We are pleased to have collaborated with Legacy WM to bring this unique outdoor exhibition to one of Birmingham’s largest public squares.

“The Forward 50 exhibition shines a light on Bangladeshi history, people and landscapes in a series of powerful and evocative images.”

To market by Aftab Rahman.

To market by Aftab Rahman.

This is the first exhibition by Birmingham Museums Trust using new solar powered outdoor exhibition equipment.

Ruins of Hason Rajas residence by Osman Rakib.

Ruins of Hason Rajas residence by Osman Rakib.

The exhibition forms part of a wider national initiative combining a wide range of events and exhibitions showcasing Bangladeshi culture during this important year.

The Recognise Bangladesh rally took place on April 4, 1971. It is estimated that there were 10,000 people in attendance with approximately 500 from Birmingham. Photo by Roger Gwynn.

The Recognise Bangladesh rally took place on April 4, 1971. It is estimated that there were 10,000 people in attendance with approximately 500 from Birmingham. Photo by Roger Gwynn.

During the Freedom 50 programme key events leading up to Bangladeshi independence 1971 will be recognised along with the role of British Bangladeshis at the time. The programme will include 50 blogs called Kee Khobor, a national bike ride, a version of the annual Nowka Bais boat race, arts and sporting events, a theatre production, a gala dinner and much more.

Photo by Roger Gwynn.

Photo by Roger Gwynn.

The Freedom 50 exhibition is organised by Legacy WM in collaboration with Birmingham Museums Trust with support from Arts Council England’s Cultural Recovery Fund, Birmingham City Council and Birmingham Rep.

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